The Dreyfuss Trilogy

Changeling * Lucifer's Stepdaughter * Moonchild


Contact Morgan

Saturday, 5 May 2012

Sample Sunday May 6th


This is the opening section of The Fool, an occult thriller novella in the Fragments collection.

Maryam Michael woke as she always did, in the dark.  She left her curtains open so that when she woke, the night was in the room with her.  Sometimes this meant she awoke in perfect darkness with a cloudy sky robbing all the night of light.  At other times she woke in brilliant moonlight, so bright she could see her reflection in her dressing table mirror.  This morning the shallow dark of a star-studded sky greeted her, and she rose and stared out her window, beginning her day with starlight and chanting.  Here, in the quiet of her country retreat, there was no artificial light on the horizon, nothing to interfere with the sky and her communion with it.

After so many years enclosed, she had come to love the expanse of an unfettered sky.  When she had left her cell behind, with all its quiet memories and soul devoted comforts, she had immediately relished the freedom of the sky.  For years her sky had been small, distant, dissected into squares.  A thing that she could glimpse now and then but which was out there, outwith the walls of her inner life.  Now she embraced it as an equal, although she shied from that as an analogy; how could any single, insignificant human soul be equal to the sky?

Like everything in her new life, her routine, her habit, was a mixture of old and new.  Carefully preserving the aspects that she’d found useful, adding to them new rituals and experiences that enriched who she now was.  Therefore when she finished her chanting and had rung the temple bell that hung at her window three times, she bowed to the sky and went through to her toilette.  A warm shower, the body washed and the hair cleaned through, she returned to her boudoir to dress.  Rather than the ritual of prayer that once accompanied the taking off of her night attire and its immediate replacement with her day attire, she relished the freedom to sit naked at her mirror and dance cosmetics across her skin.  The lightest of touches of moisturisers and foundation, a faint blush to the cheeks, a perfect contour of shade across her storm grey eyes, the lick of dark mascara defining her long lashes and a minute sheen of soft colour across her lip.

Her hair, as short as it ever had been, fell into perfect layers, a testament to scissors as sharp as the talent of the hairdresser that had yielded them.  It required but one comb through to settle smoothly, revealing her cheekbones in a way striking to any women of her age.  A cloistered youth had left her with excellent skin and when she had taken off her coif her shock of silver hair had been a surprise.  Then it had been unusual for a woman to go gray so completely by the time she had entered her 40s.  Now she was unusual only in that she choose not to colour it to mimic youth.  Her youth still came from inside.  She found that her age gave her a gravitas that she had sorely needed early in her life and valued tremendously now it had arrived.  It was not something she was prepared to deny or to hide.

She dressed in delicate satin and lace underwear, bespoke to her slender body, and finished with house pyjamas and a long house coat in linen.  Today would be spent in paperwork and she would appreciate the soft warmth and flow of the casual lines.  She had always enjoyed the feel of cloth as she moved and relished that she could now indulge her tastes in any fabric and colour.

Although she rarely chose colour: her pyjamas were black and her housecoat grey.  Monochrome was still a feature of her attire.  She slipped soft leather slippers on and went downstairs to the kitchen.  The aroma from the coffee maker drew her in and she poured herself a bowl.  The timer was set so that she invariably arrived just as the last few precious drops trickled into the jug.  She breathed in the warmth, holding the bowl in both hands and tip-toed over the flagstone floor, slipping into her study without waking up the Irish wolfhound that slept across the back door.  Edith, her housekeeper, would wake the behemoth when she pushed open the door in a couple of hours.  Once, Cullain would have woken the second she rose and would have been at the kitchen door whining and scratching when she came down.  Now, even the gurgling of the machine barely caused an eyelid to flutter.  He was getting old and knew he would be ignored until she’d eaten.  So he stayed asleep and she got more work done: it suited them both.

She had two reports to file for the Vatican and two articles to translate from Aramaic, both for an American university.  The Aramaic texts were proving to be difficult and she put her just awake mind to them first.  After an hour, when her forehead had begun to pound, she fetched more coffee and switched to sorting out the references.  She hated referencing her work and always had to make herself do it as she went, in order to prevent two weeks of agony at the end.  Referencing was always a time for her to consider her faults and sins; she often felt doing them was some sort of penance.

By the time Edith arrived two hours after that, bringing fresh croissants and bread, Maryam was grey with fatigue.  It was good fatigue, but her head hurt and her eyes stung.  Edith tutted at her as she called her through for a warming bowl of sweet oatmeal.  Maryam ignored the tutting, eating her portion whilst scratching the back of Cullain’s hairy ears.  Edith was not backward in coming forward with her ideas about how hard work, tiny amounts of food and very little sleep would ruin a person’s health.  Maryam, who’d found that slightly less sleep than you needed, combined with slightly less food than you needed and a good solid day’s work kept you agile and fit, ignored her.  Edith fed Cullain his breakfast as Maryam finished hers by dunking a croissant in another bowl of hot coffee: sweet indulgence was good for the body and the soul.
She changed into her outside clothes and donned her thick boots and took Cullain out for his morning tramp through the woods and hills.  It was brisk and none too warm, clouds scudded by and wind pulled at them both, but it was refreshing.  Cullain came alive on his walks and there was great pleasure in watching him enjoy the scents and intrigues of other wildlife and the undergrowth.  Her legs were aching when she returned two hours later and the aroma of the quail Edith was preparing for luncheon was delectable.  A shower, and then an hour or so of more translation before eating... and then she could spend the afternoon reading for leisure.  As she started up the stairs the phone rang.  Edith popped her head around the kitchen door as she answered and tutted.  The switch to Italian and her tone were unmistakable.  Edith returned to the kitchen, clanging pots and pans.  Madame was going on her travels again, and this lunch and the dinner she was half way through preparing would now be fed to the beast.  How on earth was she going to get her layabout son to walk Madame’s wolf dog at this time of year?

When Maryam finished the conversation, she phoned the local taxi company and requested they pick her up in thirty minutes, to drive her to Marseille.  Edith did some more banging as she packed a decent lunch for Madame.

Thirty minutes was tight, but she could make one of the afternoon’s TGVs to Lille if she hurried.  Maryam downloaded the files the Cardinal promised had been sent through, and packed up her electronics and their all important leads: laptop, phone, chargers and electricity converters for the various European voltages.  She showered the sweat off, dressed, and packed her clothing and personal items in under ten minutes.  Her work kit was always full and ready to go; Edith took the three cases outside whilst she hugged Cullain goodbye.  Cullain whimpered and look sorrowful but was asleep before she left the kitchen.  She picked up her heavy wool coat with its scarves and gloves in the pockets as she left.  The driver was eager, intent on carving a few minutes off the hour drive; the local drivers loved to compete on such runs.  Edith looked grim as Maryam waved goodbye to her and Maryam felt that grimness inside: she detested being called to work on a murder.           

Fragments

Fragments is now available to buy.


As I stated in my last blog post, if you buy direct from my publisher you will get over 5000 words of extra content free.  For Fragments, it's a piece entitled 'Show, Not Tell' and it gives you the original version of the opening of the novella in the collection - The Fool.


The Fool is occult thriller, concerning a murder in a church in London.  In the extra content, you can compare the published version on the story, with the original draft.  It's an illuminating read on how I write - how my initial drafts are stories where I tend to tell the reader what happens, and then I go back and re-work the story to add in more detail and layers, turning it into a 'show' piece - I show the reader how people reacted, not tell them.


Only Osier Publishing has the extra content.  You can click the cover of Fragment on the top right hand column here, or click here.  Osier is via Paypal.


You can also buy Fragments on ebook from Amazon and from Smashwords.


When you buy from Osier, you can choose between a kindle format, an ePub or a PDF.  You do not need a kindle or an ebook reader.


When you click to buy, you'll be asked whcih file type, then taken to paypal.


When you've paid, an email with a link will be sent to you.  When you click the link, you'll go online and the file will download onto your computer.


If you have a kindle, or an ebook reader, and you've bought either a kindle file (mobi) and an ePub file, you move that file over to your kindle/reader.


If you bought the PDF, you can read the file directly on your computer.


It couldn't be simpler.


Enjoy.

Wednesday, 2 May 2012

Publishing Changes & Extra Content Editions

My publisher has revamped their site, and their name.  Sarah Barnard, who puts up we me admirably, has relaunched under the title Osier Publishing.  Very cool new name, with all sorts of new growth, pagan and mystical connections that I'm very pleased to be a part of.

As part of the re-launch, Osier is now supplying kindle/ebook/PDf downloads of all its titles, directly from the site. 



So both Changeling, and Fragments, will now be available from Osier.  Fragments should be out this week.


In order to make it a really good deal, and to reflect that Osier is selling in-house books, Sarah came up with the idea of  adding Extra Content to the editions bought from Osier.


I thought it was a great idea, and from today, you can buy Changeling direct from Osier, with an extra 5000 plus word document attached.  It's called 'Un-Princing the Dark'.  It contains the first ever page written of Changeling, as well as two long section that never made it into the book.


The new pieces show an older, more traditional view of the vampire/captive dynamic.  Dreyfuss is a wee bit more Dark Prince and Joanne a wee bit more accepting of his various character tricks.  A wee bit.

When you compare these pieces with the final text, you can see how hard I had to work to take the 'Prince' out of Dreyfuss, and just leave the 'Dark'.  It does say a lot about our culture that when you put a powerful madman in front of a young woman, there is an expectation of some level of romance and 'saving' going on.  The Beauty and the Beast.  



Well, I went for pure Beast.  But the excerpts show different paths that were taken earlier on.

There will also be 5000 plus words of extra content in Fragments.  I'll tell you more about that, when we've got it up and running on Osier this week.

Wednesday, 11 April 2012

Fragments - Cover Poll


Version A

Version B
Version C


So, which cover do you like best, and why?


  

Tuesday, 10 April 2012

New Book - Blurb Help

By the end of this month I'm going to publish my second novel, a collections of short stories called 'Fragments'. Well I say short stories, not quite.  It's two quite long short stories, and a novella.

All three are horror, with the novella being an occult thriller.

Now, this collection like Bedlam Maternity, will be ebook only.  No paperback planned.  So the blurb can be longer than the blurb that is servicing both a paperback, and an ebook. 

But I really like the brevity I was forced into on writing the blurb for 'Changeling'.  It took me weeks to condense  the story and work on presenting it simply, without using cliches and way to many adverbs.  Something you all helped me with.

I think I may have the opposite problem.  I think the following may be too stark:

Fragments

Three stories to chill the marrow in your bones and make your soul shiver.

Sleet Dreams
Maggie has just enough to get by in the summer.  Winter, and cold and snow, drives her to the edge.  She dreams of being warm all the time, escaping to the south and never touching snow again.  One day she finds a fur coat: the fur coat of her dreams.  No matter how hungry she gets, she knows she’ll never be cold again.  Maggie finds out the hard way to be careful what you wish for...      (11,600 words)
                           
Alma Mater
Alma was a very particular mother.  She raised her very particular child, a very particular way.  She knew the best way to make her child independent, attentive and obedient.  Perhaps she has done her job too well...    (6.850 words)

The Fool   
Maryam Michael is a freelance investigator for the Office of the Congregation of the Arcane.  It’s her role to determine if there is a genuine occult influence in matters that concern the Roman Catholic Church.  Maryam is not happy to be called out of her cosy retreat to attend a murder in London.  She’s even more unhappy to discover that the murdered boy has been bled to death on the altar of a Roman Catholic church... and the main suspect is the parish priest.  And that’s before it gets complicated...      (26,800 words)

Now, all three are dark.  The Fool isn't as dark in tone, but is occult.  I'm not sure I'm getting that through.

What do you think?  Suggestions?  Or am I doing okay here?